Not just politicians, but also the media are responsible for selling Americans on torture. During the Bush years, there was the series 24, whose very premise – Jack Bauer only has 24 hours to stop the terrorists and save America – made the case that torture can be justified in an emergency. Last year, the film Zero Dark Thirty revived the argument by erroneously depicting torture as instrumental to finding (and killing) Osama Bin Laden. The order of events shown implies a connection between the torture of a detainee and what most Americans think is the most significant foreign policy achievement of the last decade. In other words, the plot exploits the jingoism of US audiences to convince them that while the CIA did some ugly things, it was all worth it in the end.
This kind of ideological manipulation is especially worrying in light of the filmmakers’ heavy collaboration with the CIA. The hacks behind Zero Dark Thirty got exclusive access to information about Bin Laden’s murder that was denied to the public. In return, the CIA got Oscar-nominated, chest-thumping propaganda. While some haveclaimed that the interrogation scenes are actually critical of torture, the camerawork and editing are careful to show us everything from the point of view of the CIA officers – not the detainee. For example, when he is stuffed into a box too small for his body, terrified and in pain, we don’t go in there with him. Our perspective stays outside. We’re invited to identify not with the tortured, but the torturers.
As Glenn Greenwald pointed out on MSNBC, “Americans know that torture is brutal – That’s why they think it works. They have supported torture because they believe that the people that we’re doing it to are primitive, violent, horrible savages who need to be treated brutally, because that’s the only way we can get information, and that’s the way we stay safe.”